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FINISSAGE
HOLIDAY RECEPTION

THURSDAY 18/12/25

FROM 5 PM - 10 PM

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STAB CANDY

RUFUS MICHIELSEN

TOM VOLKAERT

 

Pizza Gallery

Walstraat 68

9050 GHENT

Ground floor

YESAYES

IAN DE WEERDT

 

 

Avee Gallery

Walstraat 68

9050 GHENT

First floor

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Ian De Weerdt

 

YES SAY YES

November 22 - December 14, 2025

Opening: Saturday November 22, 2025

6 - 10 pm

 

Pizza Gallery, Walstraat 68, 9050 GHENT, First floor

The second in a series of collaborative presentations between Avee and Pizza Gallery.

On the first floor of Pizza Gallery Ghent, Ian De Weerdt is showing the installation “Yes, say yes” as well as a series of 5 works the “Ecstatic body studies”.


'Yes, say yes' is a work that takes cleansing of the artistic archive as its subject. It revises residues from the past and literally writes with the material to seek new layers of meaning and legibility. This new legibility aims at total affirmation, an expression of Amor Fati.

'Amor fati: let that be my love henceforth! I do not want to wage war against what is ugly. I do not want to accuse; I do not even want to accuse those who accuse. Looking away shall be my only negation. And all in all and on the whole: some day I wish to be only a Yes-sayer.'

The 'Ecstatic body studies' series consists of five works that combine painting with screen printing. The substrates are cast in various materials; they are studies to create bespoke architectural integrations. The series takes the inner space of ecstasy to subject.

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Rufus Michielssen / Tom Volkaert

 

Stab Candy

November 22 - December 14, 2025

Opening: Saturday November 22, 2025

6 - 10 pm

 

Pizza Gallery, Walstraat 68, 9050 GHENT, Ground floor

The second in a series of collaborative presentations between Pizza Gallery and Avee.

Both making work that sits exactly on a liminal seam between the figurative and the non-figurative, Rufus Michielsen (b. 1982) and Tom Volkaert's (b. 1989) practices meet in the tension between allure and discomfort.

Through processes of distillation and abstraction, they simultaneously draw us in (with glossy colour, cartoonish gestures and anthropomorphic hints) while pushing us away (through awkward articulations, swollen surfaces and bodily traces.)

Like the title 'Stab Candy, a dialectic of attraction and revulsion, the exhibition stages this precise confusion: how beauty can harbour decay, and how the abject ca become strange and strangely desirable.

More information on pizzagallery.be

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